Twilight breaking dawn part 1 music
As the decade progressed, so did Patsavas’ work. Two singles featured in that Grammy-nominated soundtrack - the Fray’s “How to Save a Life” and Snow Patrol’s “Chasing Cars” - rose to blockbuster status as a result of the show’s support. Patsavas also compiled soundtracks for Grey’s Anatomy, one of which earned her a Grammy Award nomination for Best Compilation Soundtrack Album. The show spawned six soundtracks and routinely integrated rock bands into the episodes’ plot lines, which helped boost the careers of Death Cab for Cutie and Rooney.
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Her partnership with TV producer Josh Schwartz, who hired her to provide music for The O.C.’s four-season run, began in 2003. As those bands began to dominate the airwaves in later years, Patsavas developed a reputation for pinpointing talented, ready-to-break artists.
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Patsavas soon went to work for herself, forming Chop Shop Music Supervision in 1998 and working on such projects as the science fiction television series Roswell (whose soundtrack featured music from unknown artists like Coldplay, Dido, Travis, and the Doves). in 1990 to work for a talent agency before long, she had also aligned herself with director Roger Corman, who enlisted her help in coordinating music for nearly 50 films. Patsavas was raised in Glen Ellyn, a suburb of Chicago, and spent her college years booking shows at the University of Illinois. Īs the music supervisor for Grey’s Anatomy, The O.C., and Gossip Girl, Alexandra Patsavas helped orchestrate the sound of prime-time television in the early 21st century. She is known for her work on Supernatural (2005), Grey’s Anatomy (2005) and The Hunger Games: Catching Fire (2013). The artists included in the collection represent both popular musicians such as Bruno Mars, and also indie musicians such as Angus & Julia Stone and Iron & Wine.Īlexandra Patsavas was born in 1968 in Chicago, Illinois, USA. In the beginning the songs are slow, then they pick up the pace and then slowly they come back down in tempo and mood to conclude with an instrumental piece that is melancholy portraying love, hope and loss. Nothing prepared me for what the privilege of being yours would do.” Patsavas organized the music for this film to move the emotional state of things along. I’ll love you for a thousand more.” Continuing this sentiment, Sleeping at Last says in their song Turning Page: “I’ve waited a hundred years.īut I’d wait a million more for you. Darling, don’t be afraid I have loved you. Christina Perri’s song A thousand years claims eternal love: “I have died every day waiting for you. The themes of life, death and eternity are evident. In general, the songs in this collection are moody and dark. Love Will Take You by Angus & Julia Stone The Twilight Saga: Breaking Dawn – Part 1 (Original Motion Picture Soundtrack) is a collection of fifteen song. This collections spans the sounds of moody and melancholy pop through angst rock, to pop-style dance music, and calms back down with mellow indie rock sounds, and ends an instrumental piece titled, Love Death Birth.
The CD liner notes fold out into a Breaking Dawn poster that is in dark purple and features three main characters, Bella Swan, Edward Cullen, and Jacob Black. The soundtrack is produced by Alexandra Patsavas, the music director for the previous three films. This is the fourth soundtrack in the saga’s chronology, and was released on November 8, 2011. The Twilight Saga: Breaking Dawn – Part 1 (Original Motion Picture Soundtrack) is the soundtrack album to the film, The Twilight Saga: Breaking Dawn. New York, NY: Atlantic Records.įans of the Twilight movies will love to listen to the songs that made the film great. Produced by Alexandra Patsavas, music director. The twilight Saga: Breaking Dawn – Part 1 (original motion picture soundtrack)Īrtists: Various.